The Crystal Ship 2018 > “The Crystal Ship is being filled”
It’s not a secret that Tor Pignattara is one of my favourite areas in all of Rome, and the overabundance of street art that one can find wandering around here is just one of the things that I love about this multicultural neighbourhood the most.
As one more year passed by, I found myself thinking about my happiest moments from 2016 and –undoubtedly- attending the legendary Nuart street art festival in Stavanger (Norway) was one of them. Apart from a couple of interviews (with Axel Void and Henrik Uldalen), I still haven’t told you anything about that amazing experience, although you might have seen my round-up of outdoor and indoor murals and my recap of Nuart Plus academic conferences on I Support Street Art, the website I was representing at the festival. So I guess it’s about time I shared what my favourite walls in Stavanger are, not just from last year’s edition of this independent festival, but since its very beginning back in 2001, when Martyn Reed founded one of the pioneering events dedicated to everything urban and public art, which –since then- has been breaking new ground in the street art scene worldwide.
One month after my cancelled flight, I finally made it to Sofia, a post-soviet Eastern-European town, with a special Balkan twist.
In other words, my kind of town.
This had been evident since the very first moments of the trip: when I was on the bus heading from the airport to downtown Sofia, I spotted some graffiti on a railway bridge which read “Welcome to Sofia: city of beers, girls and graffiti”.