I walk through the curtain that separates, but –at the same time- links, the genuine neighbourhood of San Lorenzo from Palazzo Donnaregina, the 19th-century building that is home to the contemporary art museum of Naples. It’s a garish curtain, which without a big preamble leads into a visionary space designed by Daniel Buren. The French artist has, in fact, transformed the rigid architectural lines of this elegant palace into a wonderland of colourful panels, mirrors and disorientating perspectives that create infinite reflections, deconstructing and inverting the usual look of the entrance to the museum.
I lay down on one of those soft, round seats dotting the post-industrial yard of Pirelli Hangar Bicocca, a dynamic cultural centre for contemporary art in the northern outskirts of Milan.
This building, originally used for manufacturing trains, comprises several large halls where site-specific installations are shown, these experimental and thought-provoking works that makes Pirelli Hangar Bicocca one of the best contemporary art sites in Italy.