When I was 7 years old, the TRV Crew started tagging the walls of Rome. That’s how all this began for me; as an innocent hunt down the rabbit hole of Rome’s earliest graffiti scene. Little did I know that, almost 30 years later, I would once again be walking on TRV’s footsteps by going from Rome to Amsterdam, where I met Nico.
Saying that Palermo is worse off is a gross understatement. Palermo’s palaces are, at best, beaten up, but in any other scenario they’re outright shattered. Yet their crumbling facades, which the North African sun and the sea breeze keep eroding daily, are what make Palermo so seductive.
*DISCLAIMER* There is a thing called “romanity”, which can be roughly translated as “sarcasm”. If you aren’t familiar with it, you might not want to watch this vlog ;)
Read more about my life in Amsterdam!
After being Keith Haring’s studio manager for over six years, Julia Gruen was entrusted to take the helm and lead the Keith Haring Foundation, which was established by Keith himself in 1989. Following Keith’s insights on how to balance the showcase of his art with the commercialization of his images, Julia ensure that his foundation is self-sustaining and able to keep on providing financial support to HIV organizations –as per Haring’s last wishes.
I met Jon on a boat. We sailed the Stavanger Bay together during Nuart 2017. Our sail was dressed with an eye chart like the one used by optometrists. Artist Igor Ponosov meant for it to symbolize the distance between public art and its audience; a gap that Jon Reid is definitely working hard to close with his cultural blog “Dancing in the Dark – Creativity & Culture in Aberdeen and Beyond”
When I asked locals what’s giving Ghent its edge, they all replied that Ghent is a rebellious city. I’ve spoken with artists, students and middle-aged people from different backgrounds and interests and, although each one understood this trait slightly differently -stubbornness, vanguard, insurgency, critical thought, independence, unconventionality-, they all agreed in portraying Ghent as a city that can’t be -and won’t be- anyhow controlled.