MAAM Rome: The Museum of the Other and the Elsewhere

MAAM in Rome is difficult to fit into a conventional definition of a museum. It is a street art collection, a former factory and, above all, a place where people live. Born inside the Metropoliz housing occupation on Rome’s eastern outskirts, it has grown into one of the city’s most unusual cultural spaces.

I first wrote about MAAM on BLocal back in 2014, and despite returning there regularly over the years, I realised I had never properly updated this article. Since then, I’ve watched the museum grow, new works appear on its walls and Metropoliz change around it.

The MAAM is not just a place where you can admire some of the best street art in Rome. Aside from being a museum, the MAAM is home to 200 people from different ethnicities. In 2009, they occupied an abandoned slaughterhouse over 20,000 sqm located in the easternmost outskirts of Rome (Tor Sapienza), which gave birth to one of the most interesting examples of cohabitation: the first inhabited museum on Earth. 

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To protect these families from eviction, national and international artists engaged in creating artworks on the walls of the former meat factory, which they donated to the inhabitants in support of the occupation. 

Alice Pasquini MAAM Roma
After decorating the walls of the playroom for the resident children (which is now closed to the public, but you can see it in my older article about MAAM), Alice Pasquini painted a woman next to the entrance, who keeps an eye on the occupation.
Flavio Solo MAAM Museum Rome street art
Flavio Solo drew his superheroines, like this Wonder Woman with a bucket of paint in her hand
Ammar Abo Bakr MAAM museum Rome
Ammar Abo Bakr’s mural portraying a beautiful Arab woman in his characteristic painterly style.

Advocate of this artistic barricade surrounding the ex-slaughterhouse on Via Prenestina is the visionary filmmaker and curator Giorgio De Finis (now curator of “RIF – Museo delle Periferie”, Rome’s Museum of the Outskirts). Giorgio De Finis accidentally discovered this peculiar space during an urban walking workshop and, shortly after, he came back to shoot the surreal documentary (“Space Metropoliz”, 2011 – link at the bottom) that sparked the birth of Rome’s Museum of the Other and the Elsewhere, the MAAM. 

MAAM Museum in Rome

The film tells the story of the factory’s residents who set their mind on occupying the moon, which, according to Giorgio De Finis, “is the largest public space where private property is forbidden and there are no weapons.”  

MAAM Museum in Rome

The Space Metropoliz movie isn’t just the sparkle of MAAM Museum’s utopic vocation, but it also marks the actual birth of the museum collection, since the first street artists were invited to paint on the crumbling walls of the vacant factory on this occasion. 

MAAM Museum in Rome

And so, the contemporary artist Gian Maria Tosatti built the telescope atop the tower, the stencil artist HOGRE made the man that climbs towards it, the duo StenLex painted what back then was the first large-scale mural in Rome on the outside wall, the Roman street artist Lucamaleonte painted “An Amazing Adventure in the Space”, Mr. Klevra did his “Spacedog,” and Fabio Meschini left “Trip to the Moon.” All these moon-inspired pieces that appeared in the movie are still there, but since then, many more artworks have followed. 

Lucamaleonte MAAM Rome street art museum
Lucamaleonte painted “An amazing adventure in space” in the canteen, where also visitors can eat every Saturday at lunch.
MAAM Museo dell'altro e dell'altrove Roma Street Art
On the facade, from left to right: through an intimate kiss, Borondo’s “Piedad” shows that there’s not only art inside the factory, but also people with their feelings; Kobra portrayed in his iconic style the young Pakistani activist Malala Yousafzai; Sten & Lex’s “In Alto.” 
Giulia Blocal MAAM Museum in Rome
Exploring MAAM Museum in Rome. Photo by Paolo Giannotti

Inside MAAM: Street Art and Site-Specific Works

Fast forward five years and the MAAM now boasts of the greatest collection of street art in Rome. Every piece is site-specific, meaning that it has a strong bond with the inhabited factory where it was created, if only because it serves as a barricade to protect its occupants. 

Gonzalo Orquin Pablo Mesa Cappella Porcina MAAM Rome street art museum
“La Cappella Porcina” (The Porcine Chapel) by Spanish artists Gonzalo Orquin and Pablo Mesa Cappella recalls the slaughterhouse past of the place, although there’s a message of hope as two pigs set themselves free at the end of this majestic, 30-meter long mural.
Nicola Alessandrini MAAM Museum Rome street art
“Ehi tu porco, levale le mani di dosso” (Hey, swine, keep your hands off her) by Nicola Alessandrini dissects the same pig topic, but establishing a similarity between men and beasts in a vivid, frankly disturbing mural full of blood, raw flesh, and entrails.
Nicola Alessandrini MAAM Roma street art museum
A room of the MAAM Museum with yet another stunning mural by Nicola Alessandrini in the background.

However, such strong roots didn’t prevent MAAM’s inhabitants from looking up to the sky. The aspiration to reach the moon is, in fact, in the museum’s name, signified by the word “Altrove” (elsewhere), while the word “Altro” (other) stands for the difference between each person and everybody else, a homage to diversity that is particularly significant within the occupying community.

Mauro Cuppone FART MAAM museum Rome street art
At the entrance, Mauro Cuppone’s ‘F-ART’ recalls the popular Hollywood sign.
Gio Pistone street art MAAM museum Rome
Gio Pistone’s surreal, dreamy animals welcome the visitor after the main gate, which is decorated by Diamond.
Welcome to Metropoliz by Diamond MAAM Museum Rome
Welcome to Metropoliz, by Diamond.
Hopnn street art MAAM museum Rome
In the same hallway, Hopnn left his iconic environmentalist drawings.

Learning from each other’s differences is another of the museum’s goals. Although counterintuitive to its function of ‘barricade,’ this collection of over 500 artworks brings together all kinds of curious people to discover this peculiar space and its habitative condition, namely the lives of the migrants staying there. It opens the occupation to the rest of the city, preventing the risk of isolation and allowing Romans to learn about the occupants’ fight for fair housing. 

Aladin street art MAAM museum Rome
In the assembly hall, the political street art by the Rome-based artist of Yemeni origin Aladin.
Nemo's mural MAAM museum street art in Rome
Along the outer wall on Via Tiratelli, Nemo’s painted “Mafia Capitale” (2015), where one of his iconic men is cut with a knife like a salami, which is both what was produced inside the factory and a metaphor of how capitalism treats the workforce. The outcome is a pile of euro coins, the ultimate goal of organized crime in Rome. 

Finally, MAAM aims to deconstruct and reconstruct the idea of a museum, from an elitist white cube to an inclusive space that addresses the conflicts and challenges of the present and aims to contribute to human dignity and social justice. A place more similar to the moon, which “nobody owns, and nobody can buy.”

What’s happening to Metropoliz and MAAM?

If MAAM is on your Rome list, I wouldn’t wait too long to visit.

After years of uncertainty over the future of Metropoliz, Rome has moved towards a permanent solution for the site and the roughly 67 families who live there. The city has acquired the area, and plans are moving forward to transform it into a social-housing project that will also preserve a cultural and exhibition function. Work is expected to begin between late 2026 and early 2027.

This is good news for the people who live here, but it also means that the MAAM you can walk through today may not exist in quite the same form for much longer. So, if you want to experience this extraordinary inhabited museum as it is now, go sooner rather than later.

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