I’m celebrating with a post I’ve meant to write for such a looong time, but it took me months of terrible research and supreme sacrifice to write it down because, when in Naples, you can’t simply say “pizza”: you have to try ‘em all. The history of pizza begins a long long time ago, but “modern pizza” developed in Naples in the 18th century when tomato was put on top of the Roman “focaccia” (flat bread).
I walk through the curtain that separates, but –at the same time- links, the genuine neighbourhood of San Lorenzo from Palazzo Donnaregina, the 19th-century building that is home to the contemporary art museum of Naples. It’s a garish curtain, which without a big preamble leads into a visionary space designed by Daniel Buren. The French artist has, in fact, transformed the rigid architectural lines of this elegant palace into a wonderland of colourful panels, mirrors and disorientating perspectives that create infinite reflections, deconstructing and inverting the usual look of the entrance to the museum.
I duck out from all the shouting and enter the first wing on the right, where I find the Collezione Farnese, originally located in the Palazzo Farnese in Rome, this collection of ancient sculptures put together first by Pope Paolo III and later by his descendants.
A picture is worth a thousand words but, in this case, a picture is not enough. To get the full potential of this street art project organized by Inward you must walk around Parco Merola (Ponticelli), a disadvantaged area in the eastern outskirts of Naples. You must step into the decaying courtyard, meet the people living here and see the neglected buildings with your own eyes to understand that everything that has been written about the Neapolitan outskirts isn’t just words in a newspaper, but actual social contexts that, with a thoughtful work based on street art but also on discussion and understanding, can change.