When Banksy opened The Walled Off Hotel in Bethlehem, everybody had a strong (and often negative) opinion about it. They said he sold out, they said he is making a profit from other people’s misery, they said he betrayed ‘the street’. They said these and many other things, although none of these people had actually been on the corner between Caritas Street and the infamous wall.
Well, I was at Banksy’s controversial hotel in Bethlehem, and I liked it.
The building is just a common Bethlehem building, on whose dull façade columns, balconies and overflowing pots have been stencilled. It overlooks the wall that separates the nation of Palestine from the state of Israel, at the corner of two shattered streets.
The sign, which is made up of light bulb letters shining through the dusty air of Bethlehem, is the first hint that you are about to enter a parallel world. Under the sign, a hardworking (although clumsy) bellhop-monkey is taking care of the suitcases, while the concierge-in-flash and his grim “welcome” are straight out from Dismaland.
Red curtains open onto the Piano Bar, which recalls a sophisticated English tea room, with Chesterfield couches, panelled ceilings, suffused lighting, floral wallpapers and precious china. As soon as your gaze has wandered around, though, you catch all the quirky, twisted, Banksy-style details.
First of all, the piano is playing classical music, although nobody is sitting at it. Above the piano, cupids fly seraphically, although they wear oxigen masks.
CCTV cameras are hung on the wall as if they were mounted deer heads, and a flammable material sign is ‘burning’ in the fireplace.
All around the room there are ‘The Bust of the Rebel’, which already went viral on social media, two goldfish flirting from different bowls, the secret bookshelf door, and several paintings; my favourites are the one where children are swing riding around an army watchtower (revisiting a mural he painted in Gaza back in 2015), and the triptych with Banksy’s iconic rebel throwing the bunch of flowers that –here, at The Walled Off Hotel- is an actual bunch of real flowers strategically put in a vase in front of the rebel’s right hand.
My favourite installation is right next to the reception desk and it depicts a cat trying to seize a caged dove. I love the precarious balance of the cat, and the sharp way this supposedly dynamic scene is frozen.
The Piano Bar area is open to non-residents, who can come to enjoy a ‘mocktail’ (it’s a Muslim nation, after all!), salads, cakes and the quintessentially-English afternoon tea.
I had an ‘Earl Grey & Tonic’, which was so good to make it up for the absence of alcohol, and I was off to the upstairs Art Gallery, which is currently showcasing artworks by the Israeli artist Anisa Ashkar, and –after that- to the Museum, which looks at the wall from different angles and retraces its history since the construction in 2002.
The Madame-Tussauds-kind-of-spooky statue at the entrance of the museum recalls that “it all began 100 years ago with an Englishman and the stroke of a pen”. The museum displays different things, from ‘Visit Palestine’ posters to the camera that stopped the bullet fired by a soldier during the protests in 2005, and therefore saved the life of the cameraman Emad Burnat, who then showed the resistance in the Bil’in village in his award-winning film ‘Five Broken Cameras’.
There are sculptures by the Palestinian artist Iyad Sabbah, from the iconic artwork that originally stood as public sculptures in Gaza and was heavily bombed, and a sculpture by Banksy himself, who twisted a well-known Biblical adage into a more fitting “an eye for an eye, a tooth for a thousand teeth”.
Banksy’s Walled Off Hotel is a bubble suspended in the chalky air of Bethlehem, a town where streets are crumbling and buildings derelict. Its red curtains, as the entrance of the rabbit hole, will blunder you into a sophisticated world that could be ages away from the reality surrounding it or, perhaps, just on the other side of the wall.
It’s the ultimate artwork, one you can actually walk through, and marvel at the accuracy of the tiniest details and at how the whole awesomeness is even more than the sum of its parts. Once again, I can’t help but state that Banksy is a genius, perhaps the greatest artist of our times.
Subsequently, he is not the Secretary-General of the United Nations, or any diplomat responsible for the Middle East peace process, although his Walled Off Hotel brought the military occupation of Palestine back to worldwide attention.
Yes, one night at his hotel costs more than the monthly wage of a Palestinian: he opened a three-star boutique hotel, not a council estate. Still, if you stick to the mocktail (20 NIS) and the visit of the museum (15 NIS) as I did, you will spend less than 9$ -which is more than fair, considering that you will literally be inside a work of art.
Moreover, although the economic situation of Bethlehem isn’t his responsibility either, the hotel is amplifying what his murals were already doing for the town (I wouldn’t consider visiting Bethlehem if it weren’t for his art, both on and off the streets).
As I was curious about ‘the other side’ of the story, I spoke with an Israeli friend and fellow street art lover, who happens to agree with me on the awesomeness of The Walled Off Hotel and of other artworks by Banksy in Bethlehem (which –by the way- he has only seen on the web, since it is forbidden to Israeli citizens to visit the city), although he lamented that Banksy has never painted on ‘his’ side of the wall -a final remark that left me puzzled, although I can see his point. Somehow.
As for me, I’m still convinced that he is a genius (I’m Bristolian, I can’t help it!).
But, most of all, I’m convinced that people shouldn’t judge until they experience things first hand.
What do you think of Banksy’s hotel in Bethlehem?
Let me know in the comments area below!
Bonus track: street art on the wall and on the streets of Bethlehem
Coming soon: the video of my trip through Israel and Palestine… stay tuned!
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